In literal sense, ‘BAJATEY RAHO’ could be taken as a term
used notably in North India for conning people
vigorously. But in another, it could also represent our very much Indian spirit
to celebrate life uncontrollably. Titled as the same, Shashant Shah’s
slice-of-life 'Punjabi at heart' comic caper finds its framework foundation on both the grounds
but unfortunately fails to impress with a half-cooked storyline and a strictly ‘wannabe’
emotional laugh-riot, clad in a look & feel borrowed from Dibakar Bannerjee’s
one of the bests KHOSLA KA GHOSLA.
Sabharwal, played by Ravi Kishan,
is a name of crime syndicate that deals in making illegal money from every potential
sector like education industry [I call it that because it sure is manufacturing
materialistic supplies that are totally in demand on a conveyor belt manner], production
of synthetic food items using harmful chemicals and in the most easy money making
venture banking with chit-fund kind of concepts that incidentally end up being
a cheat fund.
An unfortunate honest man ends
his life after being victimized for the bad man’s sinister acts and now, his
family [Headed by the impressively presentable Dolly Ahluwalia as his widow,
Tusshar as his son and the powerful combination of Vinay Pathak & Ranvir
Shorey as their friends in need] has nothing to lose & left much to do
except striking back with a solid plan to rob the robber.
From the plot mentioned above to
the earthy-rustic characters that has lingo and jargon of a typical Delhiite, from
the ‘been there-seen that’ settings to the ‘I see it coming’ regular casting,
there is not a single chance that you won’t recall your ‘KHOSLA KA GHOSLA’ experience
that still tends to seize your mind with matter of the fact wit in the
situation & extremely amusing characters. Well, that could easily have gone
in favor of the film but the problem is that it could never remove the tag of a
‘wannabe’.
Even in a short duration of 107
min, if you can not embrace yourself from putting unnecessary romantic track
with songs, you seriously need to think of going back on writing table again &
again till you do it right! The only time I felt an uncontrolled pleasant
stretch in my facial muscles was when Vinay Pathak dressed & sounded as a ‘Narendra
Chanchal’ look-like singer, goes for a devotional parody of ‘tainu main love
kardaan’ from the forgettable ‘Desi Boys’…and some of the scenes having Dolly
Ahluwalia ruling out everyone else in the frame.
At the end, it is a small film
that doesn’t dream big in its approach and limits itself in being a regular DVD
film. There are moments to cherish and relish you when in dull mood but not enough
to rush to the nearest theater. [2/5]
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