Tom Cruise-Cameron
Diaz starrer KNIGHT AND DAY wasn’t an extraordinary action movie outing at the
first place; so when Bollywood has come up with an idea to officially remake it,
expecting anything better to come out of it is surely our fault and not of the
makers. Since Bollywood has
now become quite an expert with remaking their own classics into the most
forgettable ones, you can only imagine what would have they done with an
average Hollywood action thriller. Siddharth Anand’s BANG BANG is a regular
bollywood junk suitable only to those who crave for quick, forgettable and
mindless adrenaline rush for their dose of entertainment.
Rajveer [Played by the delectably charming
Hrithik] is a daredevil wanted for stealing the historical Kohinoor Diamond
from a museum in London and can frequently be seen in Shimla roaming with the ‘diamond’
in his pocket. In a ‘written as in the script’ incident, he meets a middle-class
desperate girl [Katrina, of course] with starry dreams to tour the world
someday. And now the both should be together in the hide & seek game with
cops [Pavan Malhotra, wasted] & the international crime syndicates [Danny
Denzongpa & Javed Jaffrey] to save each other’s lives. But there is a twist,
Rajveer is hardly who he pretends to be.
Problems with BANG BANG never really end. Where
the original Hollywood flick had its own share of logic behind every action and
plot developments, this Bollywood version hardly tries to be imaginative or
logical. One action sequence leads to an abrupt song & dance number
followed by another action sequence and another song & dance number! This goes
on & on until the intermission. You take the loo-break, join the movie and
it starts all over again. The most irritating transitions between scenes are Katrina
waking up in the bed, in a new location, in a new country. 2 hours 35 minutes
and you hardly see a smart espionage moment. Yes, there are brilliantly
performed action thrills but no moment of shock even in the climax. If you
could not see it coming, that’s never because of their excellence but your inattentiveness.
Siddharth actually doesn’t leave any stone
unturned to make it a proper Bollywood film. A bollywood film that never doubts
on the moves of its hero, in fact it tries to cover him up. BANG BANG does
exactly the same…with all of the film. So, more than 25 films in her name and
we still have to give reasons [read: excuses] for Katrina’s accented vocal
presentation. So she might possess ‘Harleen’ as her name, she is a Canada born
child whose parents are dead in a terrible road accident [as convenient as
swimming is to a fish] and now she is living with her grandmother in Shimla
from last 10 years or more. Established in first half an hour, now do not you dare
to ask why she can’t talk in proper accent?
My two favorite moments are probably the only
moment I had an effortless smile on my face. When press asks the grandmother
about Harleen’s whereabouts, she tells them that she had to consult her lawyer
first and one media-person reacts, “Dadi, American serials dekhna band karo!” In
other, Hrithik makes faces and pun about Katrina’s boring single life and her search
for boyfriend on dating sites. Genuinely funny and natural!
On the performances, Hrithik manages to keep
everyone hooked with his ease at action, silkiness in dance and the big screen charisma
of the heroic chiseled-oiled body muscles. Deepti Naval & Kanwaljeet mark
their presence felt. Rests in the supporting cast are either wasted completely or
extremely regular. Watch out if breathtaking locales, hard to imitate dance
moves, some good action sequences and your favorite stars are enough to make
you spend [read: waste] your precious time and hard-earned money. It deserves nothing
less than a place in the list of AAP MUJHE ACHCHE LAGNE LAGE and KITES! [2/5].
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