Fans who have had regular access to gossipy
magazines like ‘Mayapuri’ and ‘Stardust’ would agree more that bollywood film
industry has always been blessed with cheesy, salty and spicy ‘inside’ news
pieces on link-ups, break-ups, regular tiffs between stars, catfights in
parties and rivalries that run longer than the film on box-office. Now, if
someone from those unsighted admirers would have made a film like ‘THE XPOSE’
taking references from here and there, it would have been easily an ignorable
offence…but coming from Ananth Narayan Mahadevan, a veteran himself from the
industry, it is a shameful cold-blooded crime to present all of it in a hasty,
half-baked and horrifically bad light.
THE XPOSE, set in glamorously stylish 60’s, is a fictional
memoir inspired by real life incidents happened in bollywood. So you have a
moody, egoistic and bigmouthed superstar Ravi Kumar [Played by who else? The Himesh
Reshammiya], a character modeled on yesteryear Actor Rajkumar famous for his
attitude and many regular interferences on set suitable to his self-proclaimed
image. How can you not find the connection when he compliments one of his
co-stars on her dress that he could use the same for his house as curtains??
Then, there are a couple of sex-symbols who
catfights in parties and bears strong resemblance from real-life contemporaries
Zeenat Aman & Parveen Bobby. There is also a top music director KD [India’s
latest sensation Yo Yo Honey Singh playing someone like RD Burman] who can sell
the same tune to two different filmmakers. If you could do an elephant-eyed examination,
you will also find visible suggestions of Sunil Dutt saving Nargis’s life from
a fire mishap on set, a publishing house giant replicating Nari Hira of
Stardust and hidden interest of underworld in the business. All that and an
unfortunate death of a leading actress [Divya Bharti?? Who knows!!]! Everyone
is under scanner and the frisky & frolicky fiction takes over the touch of reality!
THE XPOSE is stylish and sensational but cheaply
designed, undeveloped ‘insider’s view’ to encash people’s thirst for scandalous
‘behind the curtain’ news. It gets easier if you already in sync with those intimations
and indications before hand in order to relate and rejoice but as an outsider,
you will always miss the punch here. Watching Himesh delivering lines like, “Main
jo bol deta hoon, wohi script ho jaati hai” and “Style pe aap kaam karo,
attitude pe maine bachpan se kaam kiya hai” makes you giggle and chuckle at the
first but soon you will feel the juice getting either too sweet or too salty to
enjoy. Baby-faced Yo Yo Honey Singh looks fresh for the screen and bearable
when lip-syncing his own songs. Newcomers Sonali Raut and Zoya Afroz do it as
been told and predicted. Adil Hussain brings some credibility in his shorter
but smarter performance. By the way, the story gets narrated by Irrfan Khan
playing a blackmarketeer at cinema-halls. No explanations would be enough to understand
why this special appearance??
With nasal-toned singing, ‘ice-dream khaoongi, Kashmir
jaoongi’ kind of inanity in lyrics, average performance, distasteful writing and
a suspense that falls more in the grid of unplanned-unintentional-accidental
comedy, THE XPOSE is one of the cheesiest suspense thriller that can be
watchable if you are allowed to make loud comments on its idiocy in theatre. It’s
the only way out to relieve yourself of the load it throws on your intellect.
Sadly, multiplex culture doesn’t pursue that any longer! So, better leave it
for a home-viewing! [2/5]
No comments:
Post a Comment