Showing posts with label michael fassbender. Show all posts
Showing posts with label michael fassbender. Show all posts

Sunday, 25 May 2014

X-MEN: DAYS OF FUTURE PAST: Entertainment just can’t get any bigger, any better! [4/5]

The most loved mutant series X-MEN returns to its original generator after 11 long years and the influence, empathy and compassion between the two grow like they were never separated. No wonder, Bryan Singer helmed X-MEN: DAYS OF FUTURE PAST turns out to be the most entertaining affair of the lot. It is also an adrenaline-charged reunion of the older and newer members of the mutant gang known for their magical, mystical & marvellous powers. Together they ensure a wholesome entertainer you’ll cherish long after leaving the theatre. Action speaks louder than words but action here in X-MEN: DAYS OF FUTURE PAST is more amusing, enjoyable and flattering but without eclipsing the power of words.

In the futuristic world of endless possibilities, heroic mutants headed by the older professor X [Patrick Stewart] and Magneto [Ian McKellan] are being hunt and gunned down by army of Robotic Giants called The Sentinels supposedly developed by the gene and blood-cells of Raven-the Mystique, played by the enigmatic Jennifer Lawrence. The threat upon the very existence of mankind and mutants are constantly getting thicken and the only way out is to rectify the mistakes done in the past by taking the much fascinating time-travel route. The volunteer chosen is the edgy & impatient Wolverine, played by Hugh Jackman. Now, he has to deal with the younger versions of his associates who are still ambitiously driven by their own set of differences and unaware of the fact that eventually they had to be one at one point of time.

This journey from future to past sees ample of electrifying moments to keep you constantly on the edge of your seats. The engaging plot and unpredictability in the writing make sure you never have a dull moment even for once. Rather, the story moves forward and gets unfold in a manner that the 2 hour duration of the film looks absolutely jam-packed with much of thrills and chills. Of the lot, the best is when Peter aka Quicksilver [Played by Evan Peters] decides to help Charles Xavier [James McAvoy] and Wolverine release Erik [Michael Fassbender] in a prison-break in an almost impossible Pentagon. In a lyrical representation of how the ‘blink and you miss’ fastest of the all Quicksilver reacts in fractions of a second to this particular sequence, you are bound to be left awe-struck and overwhelmingly impressed by the ultra-slow-motion technique and the fascinating music score over it to double it up the whole experience. In another, you see Erik using his epic superpowers to thrash and lift up an entire sports stadium in the air and later, to make it a guarding wall around Washington DC. This is as big as Chris Nolan creates in his super science fictions. Absolutely breath-taking!

If anything that does get unsatisfying to some extent, is when you see many of your favourite characters like Storm played by Halle Berry getting side-lined with a not-so-evolved brief role but then possibly this is not the film for them to be remembered for. They had their own share in the previous and hopefully will get another in next. With the layered emotionally dehydrated and hilarious drunken act of James McAvoy as younger professor X, the witty reactions and one-liners of Wolverine, the action sequences involving the tiff between Erik and Raven, you shouldn’t really ask for more reasons. It tastes as good as it smells. Entertainment just can’t get any bigger, any better! [4/5]  

Monday, 3 February 2014

12 YEARS A SLAVE: Dark, depressing, tragic tale of survival that fails to overcome & overwhelm! [3/5]

Sitting in an air-conditioned auditorium of a multiplex & holding a bucket full of buttered popcorn in one hand and the iced cola glass in the other, if I would dare to confirm that I could actually feel the pain of slavery in the proclaimed measure, either I would be lying or the creation is truly empathetic. I would save myself from going either ways. Steve McQueen’s potential sweepstake at Oscars and a real-life drama ’12 YEARS A SLAVE’ does make me uncomfortable with the impact of brutality in the storytelling. It also succeeds in evoking my angst against this unkind, inhuman ill-practice called slavery but not the way Tarantino orchestrate in DJANGO UNCHAINED or Spielberg embraces in AMISTAD & SCHINDLER’S LIST. I am not overwhelmed.

Based on the memoirs of Solomon Northup, 12 YEARS A SLAVE is an inspiring survival saga of a free Negro’s journey through 12 years of unfortunate times in the custody of slavery. Kidnapped by two of his acquaintances, Solomon is now forced to live the life of a slave. His past as head of the happy family of a loving wife with 2 beautiful kids haunts him to make a run for life but the necessitate of survival keeps him forever on trade-board from one master [the generous & bighearted William Ford played by Benedict Cumberbatch] to another [Michael Fassbender playing Mr. Epps- strong believer of slavery and inequality of all kinds in human race]. Meanwhile every pain and sufferings Solomon and his people go through become a significant part of Solomon’s memoir.

12 YEARS A SLAVE doesn’t stick to linear narrative and moves back & forth on the timeline to create an effective after-effect of the change in circumstances. Film’s strength is definitely the ruthlessly real portrayal of brutality. Man & women getting stripped and whipped till their skin peels off and showing it on screen without having any apprehension is bad enough to make you feel gnashing your teeth in anger, desperation and anxiety. Background score makes varied impressions with thumping sounds, grasping silence and instrumentals that form ripples of emotions in you. Camerawork is superb. It takes out something from you in those horrific scenes of torture, rape and hopelessness and fills you in with conspicuous visuals in daylight especially.

All these and then the performances! Chiwetel Ejiofor is more than just flesh & bone to Solomon Northup. His gazing empty eyes with a little ray of hope to find everything in place in the end are totally engaging. He deserves every inch of Oscar trophy in the category. Film also gets a certain somber touch of realism with shots that long more than a couple of minutes. In one, you get to see Solomon being hanged by neck to a tree and he sweats like anything to find his feet on muddy surface. This one sequence goes on and on till you feel suffocated by yourself.

Good for some but then this less dramatic approach with all dark, depressing, gloomy feel & pace to it turns regular and routine after a point when nothing actually comes forward as a solid storyline and rests merely on series of incidents. Even the climax comes out of nowhere and merges into the end very conveniently. The actual events might have happened like that but if not cherished as awe-inspiring celebration of life at the end, it would be difficult to rejoice as a good comfortable viewing. Watch it for the performances! [3/5]