Friday, 11 March 2016

TERAA SURROOR: The Himesh ‘Horror’ Reshammiya Show! [1/5]

The most ironical part in Himesh Reshammiya starrer TERAA SURROOR is also the most amusing part yet so not an agreeable statement to make. Himesh gets to play a ‘Bharat ka beta’ with a heart of gold. He used to sell Chai once in his childhood while battling with poverty. He involuntarily gets enraged with so much aggression that he pierces the chest of a gangster with bullet-driven holes when the latter makes lewd remarks involving his Maa.

Years pass. Himesh is now a Modi-fied young man with newly developed chiseled body and all expressionless wooden face. He’s seen giving tough time to ‘gore angrej’ in a verbal spat over India and Indians being targeted as the incredibly incompetent. He flaunts his Desi Tamancha made in Azamgarh smugly in Dublin to represent and rest his case; and leaves the premise in such swag that most pseudo nationalists will rise up and start saluting and waving Indian flags if allowed. Wait, there is more. He never forgets to make his enemies citing ‘Bharat Mata ki Jai’ before he could take his final shots at them. What the puking patriotism!

TERAA SURROOR is apparently being pushed as a sequel to Reshammiya’s AAP KA SURROOR (2007). It is not but only when Reshammiya uses some of the head-thrashing songs from the previous. Tara [Farah Karimee] has been booked by cops for the act of drug possession in Dublin, Ireland. Her beau Raghu [Himesh] needs to find a way to rescue her and to trace the unidentifiable man behind all this. Enter Elle Jordan [Monica Dogra]- a lawyer, an Indian official at the embassy [Shekhar Kapoor] and a seasoned conman in prison Robin Santino [Naseer Saab] fondly called as ‘the bird’ for his 14 successful attempts at prison break! Together they all try to help Raghu in his mission and also the film in getting some kind of gravity. I wish they had not been overshadowed by the one and only Himesh Reshammiya!

While tasting your endurance for nearly 2 hours, you often find yourself in a tight spot to decide who irritates you the most; Himesh- the actor or Himesh- the composer. Both have their pros and cons to their individual (ir)responsibilities. Himesh never really bothers you as an actor. He certainly is not one at the first place. He never tries to wear too many varied emotions on his face to impress, though the shades on his lips do magnetize your attention. His self-possessed tunes and the background score by the master himself make sure you don’t miss out a single frame in the film. I made serious efforts to take a quick refreshing nap in between but the hammering beats, earsplitting sounds and eerie singing will never let you be successful in your thoughts.

In rest of the cast, Karimee has nothing to impress. She is smartly given a lesser number of dialogues to mouth and it appears bliss in many ways. Shekhar Kapoor charms as good as Naseeruddin Shah. Where Kapoor shows off his ease and delightful presence on screen, Naseer Saab does quite a job as an interesting cameo. Shernaz Patel and Kabir Bedi are good. In an attention-grabbing portrayal, the villain of the film [He only surfaces at the end] plays a new musical instrument every time he appears on screen. Each time I wanted and wished him to be a real life competitor of Himesh disapproving his success and guts to bounce back with an unabashed self-praising attitude! Could have been a real joke!

Overall, I might have gifted you many spoilers from the plot of the film but the real spoiler is the one who spoils your very idea of entertainment i. e. the unstoppable, the unbearable and the uniquely annoying Himesh Reshammiya. He can seriously trouble you for nights with his hugely haunting ‘O huzoor, tera tera teraa surrrooor!’ Beware, he’s there waiting for you in the dark! Visit at your own risk! [1/5]   

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