Showing posts with label sugandha garg. Show all posts
Showing posts with label sugandha garg. Show all posts

Friday, 26 February 2016

TERE BIN LADEN: DEAD OR ALIVE : Sequel or a Spoof? [2/5]

Satires backfire if not handled seriously. The characters can look goofy on screen to any extent but the writing should always be smart and considerate. TERE BIN LADEN (2010) followed it all as basic principles and the code of conduct. No wonder, it was unanimously loved and tagged as year’s one of the sleeper hits. The sequel too was expected, though never this late. 6 years later, the team is back with TERE BIN LADEN: DEAD OR ALIVE. Nothing has changed eventually except the writing has imbibed the goofiness and the characters have become smarter than you think. So much to change the end results in a bad sense! Abhishek Sharma’s TERE BIN LADEN: DEAD OR ALIVE is plenty dry, partly funny and largely a disappointment that works less as a sequel and more as a spoof to its previous part.

The film establishes its original franchise as a film itself that has become hugely successful in Bollywood and the beneficiaries include dimwit Punjabi lad Paddi Singh [Pradhuman Singh] as the doppelganger of Osama Bin Laden; Ali Zafar plays himself and so are the rest of the cast. Manish Paul joins the cast as Sharma- the director of TERE BIN LADEN ‘film’ in the film. Riding high on the success, Sharma announces the sequel of the film but to his bad luck, Osama gets eliminated in Abbottabad operation by US Army.

Plot thickens when everyone from US President Obama to a fading Jihadi-leader in Pakistan wants the Osama look-alike for their own good. Mr. President wants him dead in recreation of the operation Abbottabad to have concrete proof for the world to believe. Jihadi-leader [Piyush Mishra] wants him alive to rebuild the terrorist organization. Sharma doesn’t want to lose his road to success in him. And thus, starts the mayhem delivering some genuinely funny satirical takes far and away between silly, tasteless and repetitive jibes one after the other.

TERE BIN LADEN: DEAD OR ALIVE is not entirely unwatchable or vice-versa. The colorful characters make up for the most part even where the script starts sounding illogical, stupid and strained. Piyush Mishra in his seasoned avatar is seen organizing Olympics of Terror in Pakistan where relay race is performed with live bombs being passed on. Pradhuman Singh confidently revisits his author-backed role in the previous part but sadly doesn’t add up any more flavors to the part. Manish Paul makes constant efforts to entertain and gets successful in some too but the show-stealer without any doubt is Sikander Kher!

Sikander amazes you with his out-and-out double dose of comedy. While playing a manipulative confidante of Obama, he’s almost unrecognizable. It’s a part where he doesn’t lose his grip on it even for a second, and in due course, often reminds you of Jim Carrey in his style, presentation and efforts. In other act, he transforms himself into a paunchy Punjabi trying to lure Sharma & Paddi Singh in his evil plans. Sikander is definitely the surprise package of the film!

At the end, TERE BIN LADEN: DEAD OR ALIVE falls short of expectations. While the original was an honest, simple and refreshing satire in times of silly slapstick comedies, this one merely rises from the dust to meet the standard set by itself. In one of the few hilarious tracks, Obama is seen taking psychotherapy sessions after Osama’s dismissal and his remark says, “I see dead Osama!” So true for the franchise! The opportunity has been killed. [2/5]      

Friday, 22 January 2016

JUGNI: Music Leads the Way! [3/5]

A simple, unpretentious and wide-eyed country boy is trying to be apologetic to the girl he’s been with all night under the same sheet. Local liquor brand can be held responsible but the girl is taken aback, “Sorry? What for?” “For everything”, the boy is in deep guilt. “Not for everything. Say sorry only for why you left me alone there.” The girl is definitely more independent, free and open, and emotionally less complicated. So is Shefali Bhushan’s JUGNI. It likes to have its own sense of rhythm with melodies that induce extreme likeness and energy in you to match up with the beats life throws at you.

Vibhavari [Sugandha Garg], a small-time music director from Mumbai lands in a small village in Punjab in search of soulful Sufi music that might give her all the recognition and respect she wants from the world. Her spell with the local talents greatly reminds you of Sneha Khanwalkar’s stint in MTV’s SOUND TRIPPIN. Old timer Bibi Saroop [Sadhana Singh] and her son Mastana [Siddhant Bahl] are her best bets. Where Bibi Saroop is more into earthy, emotional and expressive Sufi music, her son loves to be the man of masses. His songs can be as weirdly enjoyable as having rhyming words like ‘Kidney-Sidney’. The bonding over the music collaboration slowly starts overlapping on the relationships on both the sides. Mastana’s loudmouthed girlfriend Preeto [Anurrita Jha] knows for sure that no city girl can ever be trusted. The live-in partner of Vibhavari, Sid [Samir Sharma] still doesn’t understand much about her recent decisions in life.

Shefali, in her first directorial venture gives us a fresh breeze of storytelling that is highly enriched with melodic tunes, believable characters, some real good performances if not great, an eye-pleasing cinematography and a writing that never settles for being a regular. The music sessions filmed in/for the film are undoubtedly the best moments in the film. The participation of celebrated names like A R Rehman and Vishal Bhardwaj makes sure this small ‘all heart’ musical doesn’t remain small in terms of giving you a good time in theatres. Watching Sadhna Singh making a great comeback is a different pleasure all together. She is still very much skilled to enthuse life even in a dull frame. Anurrita Jha is effortless. Samir Sharma plays it as neat as it should be.

Siddhant Bahl impresses with his ease and energy. The job was to look a high-spirited, ever-excited and over the top character that wears more colors than the shade-card of any Paint manufacturing brand at any given time. And Siddhant is always at it. The other two names that make JUGNI work are Shellee and Sugandha Garg. Shellee’s dialogues range from being madly rustic to finely consequential. Sugandha on the other hand provides a solid support to the story with a character-sketch that can promptly ask for a quick financial help from her boyfriend soon after throwing at him a hint of break-up. She looks every bit of the free-spirited Vibhavari.

Overall, JUGNI comes as a pleasant surprise that leaves you wanting more of its fresh approach in storytelling, likeable characters and a celebratory session of refreshing music. Some loose ends and an uneven screenwriting can always be overlooked if you are leaving the theatre and thinking of how soon you can get these soundtracks on your phone playlist. If not for anything else, for your EARS only! [3/5]