BOMBAY VELVET: All flash-no flesh! [2.5/5]

Anurag Kashyap has this unique ability and talent to surprise you with quirky ideas and innovatively conceived elements to see and present things differently on screen. Who else would think of using a popular actor in a portrayal of a male singer mimicking female counterpart in local orchestra (Yashpal Sharma in GANGS OF WASSEYPUR)? Or that breathless all ‘huffy-puffy’ police chase in BLACK FRIDAY revealing chawls and bylanes of Mumbai slums the best way anyone could; or for that matter, the 10-minute long ‘FIR’ sequence in UGLY where cops show great insensitivity towards a possible case of kidnapping of a minor. Sadly, his latest magnum-opus BOMBAY VELVET falls short of that distinctive touch of the filmmaker and then, what it does to its audience can hardly be described as surprising, or amazing, or even impressive at par his past low-budget yet highly-visionary films.

Finding a solid base in historian Gyan Prakash’s writing work MUMBAI FABLES, Anurag brings back an era that looks terrifically vintage of greater visual appeal and also, terribly cliché in holding its fort of being a classic love saga. A street fighter Johnny Balraj [Ranbir Kapoor] with hopes and dreams to die someday being ‘a big shot’ is on the rise as the Bombay of 60’s becomes the literal ‘land’ of opportunities. Land-shark Khambata [Karan Johar] needs someone handy and powerful to set up his empire and the ambitiously vulnerable Balraj is his best bet. Initial success gifts him the love of his life Rosy [Anushka Sharma] - a singer who’s forced to dance on the tunes of a manipulative Press owner Jimmy Mistry [Manish Chaudhary]. Soon, the flashy world of opportunity starts fading out to the shady game of greed, power and ambition.

With an eagle-eye in detailing, Anurag recreates the Bombay of 60’s with one of the best production-designs in Bollywood. The disappearing trams, vintage cars, graphically achieved landscapes, costumes, brilliantly envisioned set-designs; everything in the frame justifies its mark and meaning for being placed there. The club-singer is a recognized Geeta Dutt fan. His chauffer [Vivan Shah] also doesn’t miss to flaunt his so-called ‘pehchan’ with Chic Chocolate- a noted trumpeter with the famous music-director duo Shankar-Jaikishan. These minimal references work but what don’t work are the puzzling plots and subplots. They keep coming to you to earn your precious attention and interest in the film but in a perplexed way and disinterested narration that you are left in disbelief as what is happening and why? The screenplay also is a bumpy ride. Songs and the fascinatingly refined jazz music do some serious kind of damage-repair.

On the performances, Ranbir is precise, measured and totally in-character. His role on paper might sound in correlation with the character his grandfather Raj Kapoor played in SHRI 420 but Ranbir’s is a lot stylish and modern. Anushka, most of the times, is there on stage to lip-sync the club-numbers but whenever she’s off-stage, she manages to pull it off well. Karan Johar handles only one scene well that deserves a mention. His uncontrollable laugh at Balraj’s poor English language skills! For the rest, it is forgettable. Manish Chaudhary is first-rate. Satyadeep Mishra is the only actor who never ever disappoints you. Kay Kay Menon is regular.

At the last, BOMBAY VELVET has striking likeness of Martin Scorsese’s and other films of that style. This could well be Anurag Kashyap’s tribute to the filmmaker but is certainly not the best in his kitty. Watch out if you don’t know who Anurag Kashyap is, and you might come out praising him. For fans, it is a disappointment despite being not-so-bad! [2.5/5]   

THE WOLF OF WALL STREET: Scorsese’s Most entertaining Satirical take rides high on performances! [4/5]

Martin Scorsese’s THE WOLF OF WALL STREET is about ambitions. Ambitions that reject & rebel to be chained in with age-old rules and conventional regulations! Ambitions that don’t always look for permissible means but are ready to hop on anything, black or white, to get there on the top! And what could be the better example than the roller-coaster trippy life of American motivational speaker and a controversial stockbroker in the past, Mr. Jordon Belfort.

Based on his book of the same name, THE WOLF OF WALL STREET is a biographical satire on how a man of big appetite to make money by all means lands him into all glossy-no soul world of drugs and sex but the charm of this black-comedy lies in talking about serious things in a not- so-serious way and without being sober and apologetic.

In the very first few minutes of the film, Jordon in his twenties [played by the terrific Leonardo DiCaprio] is introduced to the real way of functioning in the boisterous world of stock market by his very first coach Mark Hanna [Extremely impressive Matthew McConaughey as the scene-stealer]. Cocaine & hooker as he says, is the road to success in this game of running numbers on digital panels.

Soon after losing his job in a national financial calamity, Jordon finds himself a job in a remote investment agency. With his neighboring salesman [the hilariously funny Jonah Hill] and a group of friends who can sale nothing but drugs, Jordon opens his own firm with a working culture that might give you an idea of being at a big house party with booze, weed and girls. Point is simple; make money and lots of money to blow it hard to bring heaven in earth.

THE WOLF OF WALL STREET is one of the best satires I have seen, on the business world. The way Mark Hanna describes Jordon the unsaid rules of the game in Wall Street in New York, it’s gritty, witty, real and a fun to learn. In similar situations, when Jordon teaches his workforce how to fish the money from riches, it forces you to almost split your sides with laughter. Irrespective of the fact that you might not be very friendly with the ‘typical’ glossary of stock market & investment services and a not-so-favorable 3 hour of duration, you will never feel short of ROFL [Rolling On Floor Laughing] moments even for once. Thanks to the sharp writing and a smart screenplay that beautifully jumbles between voice-overs and audio-visuals.

THE WOLF OF WALL STREET also marks applause worthy performances from more than one actor. Scenes extend to longer period with same settings and same set of actors but the performances never allow you to lose your valuable interest in the plot. DiCaprio has been a blue-eyed boy of Scorsese and he proves his worth in every scene. Most of the times, he is there as the motivational speaker so he speaks and speaks a lot but without being a blabber. Watch out for him where he’s temporarily paralyzed by excessive drug intake and desperately want to fight with the situation. Outstanding!

Of the rest, it’s Jonah Hill who brings maximum laughter moments with his own straight face humor. Matthew McConaughey is there for just a couple of scenes but he overwhelms you in just those few. THE ARTIST fame Jean Dujardin plays a Swiss bank official in a delightful cameo. You also should not miss noticing the real Jordon Belfort playing the show-host in the very last scene.

To sum up things well, it is Martin Scorsese’s one of the most entertaining work for sure. Performances, writing and a skilled direction make it a must-watch for plenty of good laughs. Only if the duration could get shorter by 15-20 minutes, it would have been an overwhelming experience. Nevertheless, it is just awesome! [4/5]