An anti-nationalist tries to intimidate our hero by making a declaration like,
“Beware! We write MUSLIM as our religion in the column marked for so in all government
forms”; and our hero-an undercover agent gives him an equal back, “We are more submissive
towards our nation as we write INDIAN in the said column”. I am not sure how
many times the officer in question would have faced rejection of his forms at
the respective offices and counters but for the screen, it does create an
impact; an impact more Bollywood-ish but substantial for a nationalistic film
made for entertainment.
Writer-director Neeraj Pandey has proved himself earlier with his similar
approach in A WEDNESDAY & in SPECIAL CHABBIS (26). His latest BABY is a gripping
but easy espionage-thriller filled with fast-paced action, impossible-looking anti-terrorist
missions, men under cover, race against time situations, mellowness in melodrama
and more notably Akshay Kumar playing his age. So, you might miss him hitting
the dance floor on some vodka & short-skirt girl obsessed Yo Yo Honey Singh
number but I enjoyed it more.
Not many years passed when Bollywood has restrictions not to take ‘names’
while referring our neighboring country but now, we are liberated enough to
come up with lines like, “+92 [country code of Pakistan] lagao, mujhe aazad
karao”, a terrorist flounders in prison. Fondly christened for its short term, BABY
is a 5-year trial program where 12 undercover agents are trained & unfastened
to fight terrorism freely with a clause that Indian Government would never
claim their identity as an Indian in worst case scenario. BABY- the film is the
last mission of BABY-the program.
Headed by Feroze Ali [Danny in an identical role of his ATS chief in Mani
Shankar’s 16 DECEMBER], Ajay [Played by Akshay Kumar] & his team [schemer Anupam
Kher, muscle-man Rana Daggubati and the trained martial art expert in
salwar-suit Taapsee Pannu] are chasing down the terrorist movements in various
parts of India to terminate their lethal plots. Their prime targets are Bilal
Khan [Kay Kay Menon in a shorter role] who wants proper attention & treatment
at par Kasab would get, and Maulana- a Pakistan based religious leader-orator
& mastermind modeled on Hafiz Muhammad Saeed and believably played by the Pakistani
actor Rasheed Naz.
BABY acts immature as a juvenile when it comes to be a smart thriller. It
never actually shocks you with a more feasible approach than being a tough
nut-to-crack thriller but the pace, no non-sense songs, believable acting
performances, brilliantly shot sequences and an underlay deadpan humor throughout.
Though it is one such film that believes a mustache can make a hero look more
real, BABY tries a lot to break the norms Bollywood is known to fall for. So no
more ‘on-time’ wire-cuts while defusing a bomb! No more melodramatic cries over
personal/professional losses! And more importantly, no breathing space for item
numbers [one comes at the end-credits, you can ignore that easily].
As the final verdict, Neeraj Pandey’s BABY has his trademark patriotic
touch with absolute mass appeal but lacks the punch in emotions he showed in ‘A
WEDNESDAY’ and what’s also a miss is the smartness and the unquestionable precision
in the screenplay as his SPECIAL CHABBIS (26) excelled in. Still, it’s a
well-made thriller that doesn’t lose its steam despite being 2 hour 40 min long…and
that says a lot! [3/5]
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