MARGARITA WITH A STRAW (A): A heartwarming ‘cheers’ to ‘life’! [4/5]

Cerebral Palsy is a disorder that could damage and affect the ability to move, balance and to walk in a normal posture. Difficulties with speaking or swallowing are also visible symptoms but that doesn’t play down the level of intelligence in brain or the degree of passion in heart. So next time, if you have luck to meet someone having Cerebral Palsy, greet him/her normally. Try not to be abnormal!

Well, that was an FYI. Otherwise; why to discuss, give importance or rather even care to mention something like CP, if you already have plenty reasons to celebrate a better syndrome called ‘Life’. MARGARITA WITH A STRAW is a passionate, moving and inspirational drama that is hardly any normal, regular or ordinary.

Maharashtrian mother [the ever-gifted Revathy] married to Punjabi father is driving a matador van with a sliding platform for her wheelchair-ridden daughter Laila (the exceptionally good Kalki Koechlin). And the daughter doesn’t blink her eyes while showing her middle finger to a traditional Indian saree clad socialite for being shamelessly and insensitively sympathetic to her disabilities. Laila is a rare breed. She is ready to fall for all the cute faces around and boldly explores every bit of her maturing sexuality, first with the emotionless sex-toys to a friend-for-all seasons [Hussain Dalal], Nima- the cute-faced lead singer of her college-band, the supportive batchmate in the university of New York and later, with Khanum [Sayani Gupta]- a rebellious visually impaired lesbian born to mixed parents from Pakistan & Bangladesh.

Shonali Bose’s MARGARITA WITH A STRAW is a delightfully delicious slice-of-life film that doesn’t accept to exploit the empathy ‘normal’ people build up for these differently-abled souls; not for once. And kudos to Bose and her co-writer/director Nilesh Maniyar for keeping that unflinching honesty and unadulterated emotions intact in the script! The highlights in the film are the reflective moments between Laila and her mother especially when the latter realizes about her daughter’s sexual preferences. Meanwhile, Bose gifts us one of the most beautiful characters in Laila who could inject varied emotions in you effortlessly, without making a fuss over it. She smiles, you smile! She cries, you don’t because you know she’ll bounce back the very next minute. Kalki Koechlin is not just there to fill in the blanks. She gives more than what required and transits her soul in Laila. It’s one of the toughest roles ever came to Indian actors, physically and emotionally too, and Kalki makes it look like an expert’s job. Neat, clean and sparkling!

Revathy, too doesn’t fail. Her ever-understanding, encouraging and extremely caring mother is a perfect pitch. Watch out for her immaculate performance in front of the mirror in her bedroom where she sheds it all after the day is over [I don’t put spoilers]! Be ready as the heart breaks and bleeds. Sayani Gupta as Khanum adds sparks, sensuousness and susceptibility. The background score is soft and uplifting so is the cinematography. Nice, cool and glittery!

Overall, Shonali Bose’s MARGARITA WITH A STRAW celebrates life, and the overwhelming spirit that never gets affected by anything bad or worse. It also handles some of the issues our society needs to open its eyes and minds to; in a very delectably endearing mood. Order a margarita; for a change, with a straw to taste it for a longer and lasting experience! Say ‘cheers’ to life!! [4/5]                             

2 STATES: beautiful film but no signs of newness in the plot make it strictly watchable! [2.5/5]

In order to impress his hardcore Tamilian future in-laws when Krish [Arjun Kapoor entering into a completely new territory of Bollywood’s safest road to win hearts; the romantic comedies], a Punjabi Chap brings Engagement-rings for everyone in the family, the statement comes out loud and clear, “Marry one-marry all”. Indian weddings can never get more comprised than in this particular scene in debutante Abhishek Verman’s 2 STATES. Impressive, moving and very well done but the biggest question here is if fine film-making could really save a film with absolute no meat in the plot and all ‘done in the past’ predictability that comes handy in any such Bollywood Film. Sadly, the answer falls in negative.

Based on the bestseller of Chetan Bhagat’s kind of autobiographical novel of same name, 2 STATES tries to bring two different cultures, two different families helmed by their own set of lifestyles and ‘hard to break or mold’ establishments in thoughts, under one wedding-Mandup. Krish falls in love with Ananya [Alia Bhatt comfortably stepping in the shoes]. Ananya falls for Krish too but their families don’t as one comes from the loud Punjabi culture and the other backed by Tamilian traditions.

The boy and girl try to woo their parents in any which way they could but rather than getting excited and on your nerves to find out how, you would end up waiting with a big ‘when’ on your face. The plot that shares similarities with most of the Indian love stories produced in the past never actually rises from just looking great, vibrant and immensely fresh in every frame. No one should sink in doubts that this is one of the finest in terms of cinematography and set direction. There is hardly any frame that doesn’t make your heart feel drenched in true Indian colors.

What kills the chance is the obviousness in the way story moves forward. The sweat couple in love put one after another fall like house of the cards but towards end, it doesn’t take more than a couple of minute to set all the puzzle-pieces together. Convenience at its best! Jokes are clearly more on colour, rituals, taste and choices in art and food and anything you could think of easily. Though Verman controls himself from making characters stereotyped [Alia doesn’t carry any south-Indian accent] and that should be praised wholeheartedly!

In a deliciously ensemble cast, Amrita Singh plays a bitchy-overtly possessive Punjabi mother to Krish with fine nuisances. Ronit Roy as his unapologetic yet emotional father excels in most to bring lumps in your throat especially at the end. Shiv Subramanian and Revathy play it smooth, subtle and sweet as Tamilian parents to Ananya. Watch out for Revathy singing the soulful ‘Saathiya, yeh tune kya kiya’ from her 1991 film LOVE! Lovely addition!!

Of the lead, Alia looks garden fresh and emotes too. Her presence sparks the screen making it a picture perfect sight to rest your eyes. Arjun as a geeky, confused, nervous lover boy shows his growing confidence as an actor. In conclusion, 2 STATES is a beautiful film let down by a superficial plot and a stretched at long duration only to ruin all the promises that could have turned the table in a better direction all together. Alas, no signs of newness in the plot make it strictly watchable! [2.5/5]