Showing posts with label sidharth malhotra. Show all posts
Showing posts with label sidharth malhotra. Show all posts

Friday, 27 June 2014

EK VILLAIN: An intense love-story or unintentionally funny thriller? [2/5]

Negative attracts. Villains get most of the claps. Well, mostly. So in case, if you make it to resist yourself from falling over your current heartthrobs on screen; Shraddha Kapoor riding high on AASHIQUI 2’s success and the cute-faced, no-nonsense and impressively the most sincere looking student of Kjo’s school Sidharth Malhotra respectively for boys & girls; you have also on board one of the most deliciously mystified villain played by Riteish Deshmukh. A perfect casting, quite enticing in this case is a fool-proof strategy to bring big numbers in theatres and at the box-office both. Half battle is won.  

Now, let’s have some crisp, meaty, tense, on the edge plot that could have the audience seated for longer than interval at least. Plot? Really? Aren’t we asking for much, especially in Bollywood? But why to worry if there are plenty of inspirations floating all over the cinema-world! And the team chooses South Korean revenge thriller I SAW THE DEVIL.  With added melodic music that includes an item number too, anyone would have predicted ages before going on the floor that the film will be a success in all respects. It looks. It sounds. It appears but sadly and only on paper. It’s time to face some reality. Mohit Suri’s EK VILLAIN is a mishmash of a love-story that tries hard to be intense and an unintentional revenge drama that thrills only at one occasion or two.

Ethically, there is not much to unravel in the plot as it being a suspense thriller, though you can easily predict it from a mile away. So, let’s stick to the characters and not the major events. Shraddha Kapoor plays Ayesha- a girl in high spirits with her bucket-list of dreamy wishes like watching peacocks dancing in the ‘first’ rain of the season, catching a butterfly and you can go on & on with a wide-eyed expression of ‘How romantic!’ on your face. She also loves to talk in a manner tried & tested well before by all prominent Bollywood heroines from Hema Malini in ‘SHOLAY’ to Asin in ‘GHAZNI’. She comes last in the list of ‘who performed well’.

In execution of one of these silliest wishes, she seeks help of a cold-blooded murderous henchman Guru, played by yours truly Sidharth wearing a grumpy look on face from the acting rulebook. What happens next? Any guesses? No, he doesn’t kill the girl. No, the girl doesn’t kill him for what he’s done but they both fall in love. I bet you haven’t had it in your weirdest dream. Enters Riteish playing Rakesh, a simple-sober-soft spoken regular guy who doesn’t want much in life but to be a hero for his son and wife! With a nagging, beating & harassing wife [played by Aamna Sharif], it is quite an impossible task. So, the constantly piling anger, frustration and rage arouse the violent streak in the guy. How the three cross each other’s path is better left unspoken.

At best, EK VILLAIN is a melodramatic average Bollywood thriller with predictably ridiculous storyline that barely imposes any sense of emotional connect to any of the characters. They are loud screaming hard to make themselves noticed. The twists and turns are some relief in order to infuse some excitement. In one of scenes, Kamaal Rashid Khan of ‘DESHDROHI’ is seen justifying domestic violence on women as a part of common middle-class men’s stress-release process. If a writer could come up with such character on screen that too without giving him a proper lesson at the end, I mourn the death of sensibility in such creative area of work. Even my anger is piling up for obvious reasons! Let’s end it here and here! [2/5]

Friday, 7 February 2014

HASEE TOH PHASEE: Parineeti rules! Writing Rocks!! One of the most refreshing Rom-Com!! [3.5/5]

If I could really take my eyes off the extremely sweet, lovable, charming, carefree and magically inexplicable Parineeti Chopra in debutante Vinil Matthew’s ‘no non-sense’ romantic comedy HASEE TOH PHASEE, I would have certainly noticed the ‘time demands’ merger of one of the most celebrated production houses in the industry and the most promising pool of talents. No wonder the product in result comes out as one of the most refreshing, brilliantly acted, smartly written but quite a balanced in nature rom-com in recent.

It neither forces you with the typical candy floss boy-meets-girl feel with all those unreal slow-motion shots overflowing with foot-tapping song & dance numbers and forceful melodramatic complications in the storyline. Karan Johar style of cinema masters in that league. Nor it makes you feel drained out with insipid, self-indulged, dead existent stories with layered harsh reality what Anurag Kashyap school of cinema is known for. It stands somewhere in the middle of both.

Nikhil, played by Sidharth Malhotra is all set to loose his bachelorhood for his girlfriend Karisma [Adah Sharma] of 7 years. Just 7 days to the d-day & he happens to meet a girl from the bride-side who’s no one else but Karisma’s younger sister Meeta, played by the infectious livewire called Parineeti Chopra. She supposedly was a drug-addict. She has this weird syndrome that deals with different kind of sensations in body as described by her, “thartharahat, sarsarahat, sansanahat, gudgudahat, dagmagahat, farfarahat & more”. She takes pills to be active on life. She eats toothpastes. She blinks her eyes in a certain ‘in your face’ way. She talks faster than you imagine. She’s anything but the girl next door; still you will find it hard to look anywhere else if she’s there in the frame. You feel connected to the girl who is equally sentimental but confined & reserved in revealing the wounds from her past. Same goes with confused Nikhil who is now left with choices that could ruin or rule his life afterward.   

HASEE TOH PHASEE is a good mix of over-the-top Indian emotions with uber cool practicalities of today’s generation. So, if there is a ‘would-be Damaad’ asking for financial help from his ‘would-be Sasur’- a saree king, in the most unhesitant manner, you would also find a rigidly traditional family that could abandon their kid for life as she had once decided to run away from the house. Though the film couldn’t save itself from being conventional & convenient specifically in the storyline, it compensates that with the garden-fresh characters [Casting director Mukesh Chhabra deserves applause for giving apt faces to fill the requirement], believable performances, quirky-witty-smart writing [Harshvardhan Kulkarni takes the credit here] & a sense of pragmatism while dealing with the situations. Beautifully cinematographed & crisply edited! But the performances are above all especially Parineeti. She amazes, surprises & also manages to move your heart with her ‘blinking eyes’ presence on screen. Sidharth plays it highly confident and a total fit for the role.

At the end, it feels good to see that the genre of romantic comedy in Bollywood is getting blessed by good grown-up writing. Watch it if you want a nice break from regular romantic love-stories! Watch not if you still believe in unreal overdramatic romance only made for cinema-screens! [3.5/5]